In-universe 'in real IRL', it's probably safe to assume that """the player""" is just some random guy who bought a T-gotchi, whether it be as an early adopter test-driving the device, or picked one up at a garage sale or something. But to the green anime girl, what exactly are we? We can't just be a disembodied voice, because she can see us peeping at her in the shower if we move the camera around. Building on that, I think that we appear as a literal camera to her, and our responses are read out in text t...

as stated before, i really liked this game, and i would like to dwell a bit on the girl and her ''daddy'', and how nicely it ties up with a darker, eerie story, which complements and enhances the game even further. OK, so to begin with: the parts where the girl hinted about her ''daddy'' and the lore of the gloomy land of thunders and of eternal darkness, the land where you could sit ''under the sycamore trees'', it was excellent. THAT was some good, creepy and unsettling lore right there. so according ...

I wanted to like this game as soon as I saw the store page, I really did, but you forgot one simple fact that every game needs. *Engagement*. As soon as I figured out that every single ending would be bad, the game instantly lost me. I can tell what you were going for, but I just didn't have any reason to *care*. I couldn't even be bothered to get to "The End" because of how un-engaged I was by the 3rd ending. In fact, the "best" ending is achieved by not doing anything, and even that's more bitter sweet ...

At least ONE happy ending for this poor T-Gotchi.

All these "days" are strung together, requiring you to do them in one go, yet the girl keeps complaining about you not showing up sooner. Wouldn't it have made more sense if the game actually tracked the frequency you returned, await a long period in which you did not return and THEN make her complain that you weren't there sooner?...