Asmodeus
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The Temple of Adanos loomed over Valkavar, its once-pristine walls now a darkened canvas of conflicting legacies. The faded murals of the Dragon King, Adanos, still whispered of his wisdom and justice, but they were obscured by garish banners bearing the sigil of the Cult of Beauty—a stylised mask, half-beautiful and half grotesque.

Inside, the sanctity of the temple had been replaced by a chilling spectacle. The scent of incense and fragrant oils hung heavily in the air, masking the faint metallic tang of blood. Once a place of quiet reflection, the main hall now bustled with the frenzied energy of preparation. Cult acolytes, dressed in silken robes that shimmered unnaturally, moved with mechanical precision, adjusting mirrors and draping statues of Adanos in translucent veils.

At the heart of the desecration stood an altar. No longer an emblem of the Dragon King's teachings, it had been refashioned into a grotesque pedestal. Atop it lay a gilded sculpture of a human form, flawless and eerily lifelike, its beauty so perfect it unsettled the eye. Surrounding the altar were acolytes chanting in a rhythmic, hypnotic cadence. Their voices blended Common Marnellite with an older, guttural tongue, rumoured to be the language of daemons.
A woman knelt at the altar, trembling. Her face bore the scars of a hard life, and her plain features stood in stark contrast to the glittering congregation. She had come seeking transformation, desperate to be remade in the image of the Cult’s ideals. Two vrykolakai stood behind her, their presence both commanding and unnerving.

The first, a tall man with sculpted features, leaned down to the woman. His voice was as smooth as silk but carried an edge of menace.
“You offer yourself willingly, do you not? To become something greater?”

“Yes,” the woman whispered, her voice cracking with desperation.

“Then you shall be remade,” the second vrykolakas, a woman with alabaster skin and eyes like polished jet, intoned. Her hands moved with an unsettling grace as she lifted a blade of gleaming silver, its edges engraved with runes.

The crowd watched with a mix of reverence and hunger. Among them were whispers of the New Valka syndicate—a shadowy organisation rumoured to be entwined with the Cult. Some said the ritual was more than a mere act of transformation. It was a gateway, an offering to daemons that the syndicate worshipped in secret.
From the shadows of the temple, a figure observed. Clad in a tattered cloak, they moved silently, their eyes scanning the scene with a mixture of outrage and caution. Beneath the hood was a loyalist to the teachings of Adanos, one of the few who dared to stand against the Cult. This was no mere desecration; it was a statement, a challenge to the old ways.

As the blade descended, the loyalist clenched their fists. They could not intervene—not now. The Cult of Beauty had the power of the Empire’s elite behind it. Any resistance would mean death. But they would not remain silent forever. The woman’s scream echoed through the temple, and the ritual reached its climax. The mirrors around the altar reflected her transformation—her scars vanished, her face reshaped into something the Cult would deem “perfect.”

The crowd erupted into applause, their fervour drowning out the last echoes of the woman’s humanity. The vrykolakas smiled, their work done, as they turned their attention to the next supplicant stepping hesitantly forward.

In the darkened corner of the temple, the loyalist slipped away, their heart heavy with what they had witnessed. The Cult of Beauty might not be entirely evil, but their obsession with perfection had become a tool for something far darker—a force that threatened not just the old faiths but the Empire itself.

If the rumours of New Valka were true, then this was only the beginning.
Favorite Game
5,057
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250 Hours played
Crusader Kings III is a very interesting game to me. Although I would arguably say that certain features of the game have been simplified or reduced in power compared to Crusader Kings II, such as artifacts being vastly more common, easier to acquire in general and having less of a "satisfying" or "magical" feel to them, or snowballing with an overpowered demesne being a lot easier with the removal of the "threat" mechanic that plagued so many of my Crusader Kings II runs, I would say that whether you are a Crusader Kings veteran, a regular of Paradox games like Europa Universalis and Hearts of Iron, or even just a regular strategy game enjoyer who wants to try something new, Crusader Kings III has it for just about everyone. I find that it has a steep learning curve, whilst being more forgiving towards newer players than Europa Universalis IV or Hearts of Iron IV. That being said, Crusader Kings II is more noob-friendly in my experience, and I would argue not to try Crusader Kings III without anticipating a degree of difficulty, and indeed failure even on the game's recommended characters. It took me several tries before I was able to beat the Seljuks as the Byzantines in the 1066 start, for example. However, I would say that despite all this, and with the Fate of Iberia and Royal Court addons, Crusader Kings III is a truly well-crafted, albeit flawed masterpiece of a game, and the only lament I truly express regarding it is the lack of starter dates after 1066 - an issue easily remedied by a few mods.
8/10, and easy to run on all but the most outmoded of PCs.
Recent Activity
5,057 hrs on record
Currently In-Game
691 hrs on record
last played on 28 Feb
54 hrs on record
last played on 28 Feb
TaleGunner 28 Aug, 2022 @ 8:49pm 
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Serbian Dude 31 Jul, 2022 @ 6:45am 
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arn. 6 Mar, 2022 @ 4:47pm 
mad donny
[BRE] Constantin / Connor 20 Dec, 2019 @ 8:31am 
helped troll a scammer u good boye
Moses 14 Aug, 2017 @ 7:26pm 
My nibba ;)