Recent reviews by gulogulo

We are Robert Kurvitz and Aleksander Rostov — the game director and art director of Disco Elysium. Our stake in the game exists in the form of minority shareholdings in an Estonian company called Zaum Studio OÜ, which owns everything related to the game. The majority of this company’s shares were initially held by Margus Linnamäe, an Estonian businessman and investor who provided the initial capital. In 2021, Linnamäe was bought out by another minority shareholder, an Estonian company Tütreke OÜ. Tütreke OÜ is a vehicle for two Estonian businessmen — Ilmar Kompus and Tõnis Haavel.

As minority shareholders our rights are limited. As long as Linnamäe remained the majority shareholder, we were confident that the company’s financials were in order and that all shareholders were being treated equally. The same can not be said for Kompus and Haavel. As soon as they became majority shareholders, we were quickly excluded from daily operations, our employment was terminated and our access to the company’s information was shut off. Our firing came weeks after we started asking for documents and financial data, which is still being kept from us.

We have now learned that Tütreke OÜ must have obtained control over Zaum Studio OÜ by fraud. We believe the money used by Tütreke OÜ to buy the majority stake was taken illegally from Zaum Studio OÜ itself, money that belonged to the studio and all shareholders but was used for the benefit of one. Money that should have gone towards making the sequel. We believe that these actions — which in our view, and the view of our lawyers, amount to criminal wrongdoing punishable by up to three years imprisonment — were perpetrated by Ilmar Kompus and Tõnis Haavel with support from Kaur Kender, another minority shareholder. This is hardly surprising given that Tõnis Haavel, who we believe to be the ringleader, has been convicted for defrauding investors on a different matter in 2007 [https://www.riigiteataja.ee/kohtulahendid/fail.html?fid=303963621].

We are now in the process of reviewing our legal options. Both civil claims and criminal charges are on the table — in Estonia and the United Kingdom.

Needless to say, it has been a very difficult time for us. After five years of gruelling work we released Disco Elysium, a game beloved by millions. As our reward, we were summarily fired and cut off from our life’s work — the world of Elysium. The company we built has been looted, while our own earnings are insufficient even to cover legal fees.

Until now, we’ve refrained from speaking out. This has been entirely voluntary, out of consideration for the people still working at ZA/UM — and for our own mental health. But given the severity of our suspicions — and the seriousness of the evidence we have — we think it’s time people knew what has transpired at the company.

We remain eternally thankful to all the fans of Disco Elysium, who have offered us invaluable moral support. We still believe in games, we still believe in ourselves — and we still believe in you. Millions of RPG fans have proven that games like Disco Elysium have a mass audience. This is a truly wonderous thing. No one can take that from us.

We also believe in what Harrier du Bois calls “the law”. It’s not perfect, but it’s there to protect those who create from those who take. And so it will.

Robert Kurvitz — game director
Aleksander Rostov — art director

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„Fans Have the Right to Know” - Disco Elysium Co-Creator Talks ZA/UM Losing With the System [www.gamepressure.com]

Originally posted by Karol Laska:

The sad news of ZA/UM Cultural Association's dissolution and the firing of key figures from the studio that gave us Disco Elysium have left many players hurting. We talked the man who delivered it to the public.

On October 1, 2022, the co-founder of the former ZA/UM Cultural Association and editor of Disco Elysium, Martin Luiga, announced the dissolution of said association. Reasons? Loss of values and ethos by ZA/UM studio somewhere along the way. He also recalled that other originators of the Elysium universe (and the cRPG created inside it) – namely, Robert Kurvitz, Helen Hindpere and Alexander Rostov – were pushed out of the studio in late 2021.

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For us, Elysium was that idea. It kept us together and gave us something to work on. We couldn't say someone else can do this. The object was unique and we its guardians. We felt otherworldy promise in that interisolary mass, connected by invisible lines through the pale. Seol, Khasht-Kor, Innu NR, Marel-Över-Världen... 4.6 billion people, after all, are not easily let down.

Elysium is a collection of ideas into which we poured all of our love of the world. And its history. It's what we think is worthwhile in all this - recollected, resequenced, and reconceptualized. Its people are heroic even when they're jokes. Its failures are majesty and terror. It's large. It is a geopolitical dream seen by non-entities. Nobodies from nowhere. Its value is inversely proportionate to our own size.

So far we've only managed to show you a tiny, insignificant corner of it: the district of Martinaise in Revachol West, on Insulinde. I can not begin to tell you how introductory it is. ("Disco Elysium" means "I learn Elysium") It's small. A matchbox world. It's all we had money for.

Yet because of You - you angel, you legend, our comrade in arms- because of your interest in our idea, we get to see more of it. Jamrock, I hope. And then to other isolas.

Thank you. We hope you enjoy the Final Cut.

Robert Kurvitz, lead designer / lead writer
Brighton, England
December 2020

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• "I wondered, how many writers credited on Disco Elysium DO still work at ZA/UM? I tried to look it up and here's my (slightly incomplete) results." - @KatiKnitt
  
  

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  • Robert Kurvitz's Instagram [www.instagram.com]
    
  • Helen Hindpere's Instagram [www.instagram.com]
    
  • Aleksander Rostov's Instagram [www.instagram.com]
    
  • Aleksander Rostov's Twitter
    
  • Aleksander Rostov's Artstation [www.artstation.com]
    
  • Martin Luiga's Twitter

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